The Future of Hi-Fi Digital Sound?
- August 30th, 2008
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Anyone who knows me knows has probably heard my rant about the sorry state of digital sound quality, especially the itunes music store. Now, we are starting to see a backlash against low quality mp3 sound from musicians, who spends months perfecting their sound in the studio only to see it diluted before it hits consumers ears. T-Bone Burnett has developed an answer, and some artists are already on board. From Wired Listening Post:
A legendary producer whose diverse resume includes bands as different as Roy Orbison and Autolux, T Bone Burnett has tweaked knobs and scored films (Cold Mountain, O Brother, Where Art Thou?) with the best of them. But with the impending collapse of the biz-as-usual music industry, he is hard at work planning its digital future in the form of Code, a high-fidelity audio technology that’s as pristine as the sound of studio masters.
“Record companies have alienated customers and the artists,” Burnett told the Los Angeles Times. “This is completely an artist-driven initiative. Our aim is to democratize high-fidelity.”
The producer-artist, known as Joseph Henry Burnett to the IRS, has already employed Code on John Mellencamp’s July release Life Death Love and Freedom, and plans for Bob Dylan and Neil Young are on the burner. But it may not be long until Code is standard operating procedure for artists and professionals looking to upgrade the quality of their sound.
For one, Code discs can be played on any DVD drive, including the one in your computer. Secondly, it doesn’t cost anything more to record to Code than HDCD or any other hi-res audio format.
Which is the kind of scenario Neil Young was demanding back in July, during an interview with CNN Money. “In the 21st century,” Young said, “with these beautiful computers and incredible capabilities, hi-res music is one of the missing elements. [But] I think that’s the future of music.”
Evidently, the future is closer, cheaper and more crystalline than once believed.

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